Tuesday, July 29, 2014


Cameron Davidson's FUSE VISUAL 
interviews photographer
LAYNE KENNEDY this month.

Click on the above link to read:


Monday, July 7, 2014

iPhone Photography-It's The Real Deal

iPhone capture outside Guthrie Theatre, Minneapolis

It's a good bet that you've shot, created and printed a photograph you captured with your smartphone. And, why not? The quality is good, it's instant, the device is small and non-intrusive, and with thousands of app's available to tweak your creative vision, smartphone photography has found its way into assignments, workshops and galleries.

Changing of the Guard, Athens, Greece

Sunset, windmills-Rhodes Island, Greece

I some ways I'm amazed how many people still criticize these devices as flukes, cheap photography, snapshots,  something less than real. This stereotype is diminishing as more and more fantastic images are being published using the variety of smartphones out there.

David City Airport, Nebraska

Certainly, I've been swayed. I adore the simplicity of using my iPhone. I pull it out of my pocket, raise it, fire it quietly and raise no attention to myself whatsoever. Everyone else is doing it so it fits right in. In my mind, I see the end result as if I were shooting to make prints in B/W. With all the app's that I enjoy using, I previsualize many of my iPhone photographs. What is in front of me is only the first step.

I think this is what I like most about iPhone photography, It allows me to experiment with ease, conjure up moods utilizing vintage style app's, layering textures and adding multiple images for making a visual statement or merely to have fun.

Fish & Chips cafe, Fulton, Texas

Rest assured, my iPhone has its limitations. And, I feel those limits deeply at times when I want the compression my 600mm gives me or the wide perspective of the 14mm while aiming my iPhone at a likely image.  

Fear not. I am not going to sell or shelf my Nikon's, Hasselblad, 4x5 or pinhole cameras. I am simply going to choose the instrument needed at the time to make the type photographs I wish to create. It's just another camera in your visual tool bag.

Wednesday, April 16, 2014

Photographing The Eclipse

With images containing so much blank space,
adding a comment can add balance.

Events like the full lunar eclipse on April 15th, 2014 really draw out a large number of people, all for their own reasons. I had no real reason to step into my backyard in the middle of the night to shoot it. I'm not an astro-photography buff and see no financial gain to spend time doing it. There's a lot of gifted experts supplying that visual stream to the world and I cannot compete with that and
don't want to.

But, taking in a eclipse is an opportunity for several things. One, the photo-op. But, I like the idea of simply taking in the experience. Geez, I had neighbors calling me, "Are you gonna be out, should I bring down some beer?" to folks who set an alarm for 3:00 a.m. so they could get up and take a peek at the total eclipse of the Blood Moon, as it is referred to. Fantastic Everyone! Ya gotta love that enthusiasm for experiencing the living universe.

 Another advantage of being out there is once you've captured the images, there are new photos to use in any experimental photographs you wish to create. These can be used for shows and photo-illustrations. In the below image, I combined three photos to create something other worldly and fun.

Combining images from your files offers visual options

Well, if you missed this one due to weather or warm covers, there are four more this year!
The next one is in October, 2014. 

So, set your alarms, check the weather, grab your tripod and take it in.

Monday, March 31, 2014

A Special Portrait

Monday, March 17, 2014

More Bad Light

A quick trip North for a winter magazine assignment went wonderfully. New snow, bright yet diffused sunlight. Everything went off like clockwork.

Since I was already North, I decided to stay on a few extra days to explore the ice piling up along the shores of Lake Superior. This year the lake was more than 90% covered in ice. Normal twenty years ago, this is a rare winter event these days. Photographers follow such unusual natural events. The winds pile layers and layers of ice up to the shore. It can be a splendid visual experience for shooters.

Well, not this time.

Weather was stormy, cloudy and dark. The recent snow had covered the ice with a milky coating eliminating the desired gin clear ice. What does one do?

Driving for miles, I finally located a patch of ice that retained some of that gorgeous glacial blue coloration that attracts artists. But, the skies were dank and the ice almost featureless in this light. There was however a silver lining. I could photograph the blue ice without concern for the sky blowing it out. For all its bland appearance, this flat light was actually decent to work with.

Never give up. With a little luck, things might work out. Having a dramatic scene in such two-dimensional light was indeed a gift.

Lake Superior ice & clouds near Croftville, Minnesota


 The moon was edging slightly past half-moon phase. Not enough light I felt to warrant a night on the ice looking for new views of the ice shards piling up. But, some whispy clouds made things compelling enough to give it shot. Maybe with long exposures, the moving clouds will add some interest to a stark and simple scene. 

Inside an hour of darkness, a fabulous moon dog formed. It was huge, one of the biggest I've seen. The diffused light created an atmosphere that felt over worldly. Really strange light out over the ice fields. To add to the bizarre light and add drama to the scene, it was necessary to get the camera angle low giving the ice a larger appearance and see the moon dog. Yes, I did shoot a full moon dog. But, those have been done a million times. I was looking for something different. A look that mimicked the bizarre light cast over the frozen lake that night.

I spied a collection of ice shards, spread to tripod down to its lowest angle, framed the moon dog so it gave the impression or rising. I liked the results. I walked away with a new image, one that was different than any other winter moon dog photograph I've made prior. The effort to venture out that evening was totally worth it.
Moon Dog over Lake Superior ice shards.

Sometimes you just have to take off that editorial cap and put on the creative cap. It allows you a sense of adventure and risk. Try something within the realm of photographic possibilities and see what the imagination can kick out.

Silver Bay, Minnesota

Wednesday, February 5, 2014

Iceland Photography Workshop

Once again, ICELAND is making the news. 
This recently posted news tidbit by ICELAND NATURALLY, 
from Iceland's Tourist Industry. There is no question this is the time to visit Iceland. 

Join Us late this summer for an incredible Photo Tour with Focus On Nature.

We will be photographing some of the most spectacular locations
in Iceland. Be prepared to be amazed.

Tuesday, January 28, 2014

Digital Magic In Photography

One never knows when a photographic idea will hit you. One that hit me while returning from an assignment up North has finally come to fruit. CROIX AND THE MAGIC BURL.

Eight years ago I took a class at the North House Folk School in Grand Marais, Minnesota. It was called; Wood Bowl Turning-Norwegian Ale Bowls. Basically, I learned to turn wooden bowls using a centuries old technique using just a wooden pole and a rope.

I had a blast and still enjoy turning bowls as a hobby. But, I did switch over to a power lathe!

Such diversions for artists are a natural release. It's not uncommon for artists to find another creative adventure outside of their own creative passion. I took to wood turning like a squirrel to a bird feeder.
It served as a good source of creative therapy.

Driving home from an assignment up North a few years ago, I stopped for a short hike along the Cascade River along Minnesota's North Shore Drive. When I reached the first set of waterfalls, there was an impressive spruce burl just off the trail. It was huge. And, for woodturners, most burls are prized for their exceptional grain patterns. Not spruce.  But, the burl had a funny pattern on it that looked like a face. I fired off a few frames of the burl and moved on.

Back on the highway, that burl face kept gnawing on my brain. Then, it came to me. I should do a book on the forest using the face of old burl as the voice to teaching kids about the forest and trees. So, finally here it is;

Croix And The Magic Burl
A Young Girl Meets A Magic Burl In The Forest 
And Learns The Value Of The Woods.

Here's the links;

PRINT VERSION:  http://www.blurb.com/books/5049117-croix-and-the-magic-burl  
(Shows the entire book)

less expensive version;

eBook:  http://store.blurb.com/ebooks/460166-croix-and-the-magic-burl  
(only shows 11 pages)
One of the decisions in this book that once made, seemed to be a perfect fit, was the digital conversion of my photos to watercolors using Photoshop. I tried it with photographs right out of the gate. But, photographs seemed too definitive, too exacting. Converting to watercolors allowed some room for the imagination to wander. This felt like the appropriate technique for a young kids book.
Some images worked and others didn't. But, that's true with every story you shoot. Tough editing, even eliminating those you really want to share, is imperative for the collective good. Otherwise your project can travel down paths less focused on the theme. Stick to your guns and be a tough editor.

Using the available tools in today's digital climate can be a tremendous advantage for your creative outlet. I was amazed at the transformation of my images into another medium. I was very suspect and concerned it would fail horribly.  Instead, it served up just the right look. I got what I wanted and hope to tackle another one some day when the inspiration strikes.